listen Lilly
it’s an I’m not afraid of the dark message
so many cow sounds and
bird-overhead sounds
and leaves of all kinds
sounds occasionally a man
shouting at his dog too which is purging itself
of unrequitedness at
the moon’s silent expense
this is the countryside
at night and it’s like
a famous eavesdropped
story you can tell
cars are moving in the
distance but it’s only
cupping a shell to your
ear level disturbance
so I’ve left the
‘sh’ of my shirt on the windowsill
to fill with spiders I figure it might be stylish
as it is summer it keeps away undesirables
what do you think I couldn’t find a shell
I even heard a badger
last night and was able
to congratulate it on
being the largest member
of the weasel family you should hear its
footfall
it’s also the stripiest
(but that was just hearsay)
the radio’s on
now Lilly and it’s Late Junction
I’m worn out with
talking and the days pass slowly
so I’m going to
need to go to sleep now
but please if you get
this come and see me some night
I love the sound of your
hands
what a day out
‘what else’
is there not to say
I haven’t broadened
the vocabulary of your eyelashes
and the plant pot maybe
still smells heavenly of hyacinths
(this is a memory of a pink one
I bought you for your
favourite colour opaque
and delicious)
I can’t remember
what leaves tomorrow or why
and I don’t know
where it’s going or who’ll be on it
except that contractually
it’s bound to involve the moon
and a cold-sounding rhyme
in the meantime can I have the line of your
hips back please
and the smooth of your
hand thank you
will you keep them safe for me
not that I’m expecting
anything back after today even your lips
‘in the meantime’
is the setting for this day out
shall we borrow a small
house and talk in country dialects
or should it be more
simply urban
with window baskets and
canapés of salmon sunsets
probably farmed ones then again maybe somewhere fabulous
like the zoo
no I know a theme
park I’ll keep to the point
we’re on all the
rides (well one over and over)
and we’re dizzy
eating happy junk with added serotonins
screw
up your eyes
that cola bottle could
be a max-speed avocado we’re so high
see those plastic
lions risking down a one way Jurassic street
this could be our favourite
though it seems we’ve
missed a turning somewhere
for any of this to happen
realistically let’s say
it was a good day out all the same
whenever you are tomorrow
it doesn’t feel back where I started
projection digressions
I’m riding the
slow service
and we’re going
to pass
the 8 wonders of the
developed world
look
an egret they’re new here aren’t they
and neat except for that
back-quiff
mist off the river anchors
us
and grapples with movement (what
do you think of that
trainspotters
it must be a relief not
to need to be so precise) but this is the free jazz train
and this is a technicality
say for example there’s a clue
in the crossword you’d
get but I won’t
involving the indefinite
article
and a psychological equation
for poetry where are you then
the mist is clearing
allowing for some hills
to recede from me
remember the way you loved me backwards to this point
it was prosaic
here’s your anagram leporet clue
snow hares
would be clearly visible
even though it’s winter dunces
taking the world on solo
and so fast but
who am I to judge I’m no critic
listen the conductor has a red rose in his lapel
as this is a special
occasion
and he smiles as he checks my ticket
without grudge he must be missing somebody terribly
to be so polite
I’m still moving away
from those hills like
an irreversible chemical reaction
(now is that copper sulphite
poisonous sir it smells
of mango chutney (the
trumpeter’s little (musical) joke it doesn’t)) can you
tell the coda’s
swinging
it’ll all be over by the time
we reach the tunnel I’m looking forward to that
as anyway I’ve
forgotten my glasses
and I’m missing
all the wonders for you thanks god
for making that egret
so big and so close(!)
it was almost an atmospheric
change
or I’d never have
detected it
the saxophone
varies where we’re
going and lots of passengers
have got frightened and
got off at the last stop
but I like you
and I’m weary of
destinations and increasingly wary
pink park with ducks
we’re in the park it’s like all the best
‘singin’
in the rain’ & ‘isn’t it a lovely day’
rain filters through
your hair like unusual insects
kicking traditionally
at puddles
and your heart’s in it
all there is is your
pink umbrella too small
letting you be differently
beautiful
complementing the happy
ducks with your grey eyes
nobody here seems to
be wanting the sun to come out
Dear Canute,
over the past two weeks
it’s become increasingly clear to me I feel it
in the rain
we’ve been celebrating
for the wrong reasons
the dancers (oh the dancers)
aren’t going down to your beach tonight
it turns out their ‘footprints’
were those of a shrunken head
pod-marked with your
thoughts so maybe
good for further study
this relationship with
you will never work
I’m too tired and
busy to even become a wave
& I’m running
out of your spectacularly thrown bet-money
slipping through the
dirty oxygen of an hour-glass
like fingers out of fingers
to no fingers
the sea is holding its
floppy fringe
(look! no hands either!) and I know you’ve got a lot to offer
you’re up to your
deck-chair in water keeping nothing back
just pockets full
of stones and outmoded dances
even from here your jokes
are so simple almost nobody could be sad
I’m still
glad we had our brief time together
yours,
the lily-pond (to whom
you never ever listened not once)
@ Nathan
Thompson, 2007
Notes on Contributors